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    <title>canon ef on pho.tography.org</title>
    <link>https://pho.tography.org/tags/canon-ef/</link>
    <description>Recent content in canon ef on pho.tography.org</description>
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    <lastBuildDate>Sun, 03 May 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://pho.tography.org/tags/canon-ef/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Compression and Separation: EF 200mm f/2.8L II USM at Distance</title>
      <link>https://pho.tography.org/compression-and-separation-ef-200mm-f/2.8l-ii-usm-at-distance/</link>
      <pubDate>Sun, 03 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://pho.tography.org/compression-and-separation-ef-200mm-f/2.8l-ii-usm-at-distance/</guid>
      <description>Telephoto compression is frequently misunderstood. It is not a property of the focal length — it is a property of the distance. A 200mm lens at ten meters produces the same perspective compression as a 50mm lens at ten meters, because compression is a function of camera-to-subject distance, not focal length. What the 200mm lens does is allow you to be at that ten-meter distance while filling the frame with a subject that would be a speck at 50mm.</description>
    </item>
    
    <item>
      <title>Second Curtain Sync: EF 70-200mm f/2.8L IS III with Flash</title>
      <link>https://pho.tography.org/second-curtain-sync-ef-70-200mm-f/2.8l-is-iii-with-flash/</link>
      <pubDate>Sun, 03 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://pho.tography.org/second-curtain-sync-ef-70-200mm-f/2.8l-is-iii-with-flash/</guid>
      <description>First curtain sync fires the flash at the beginning of the exposure. Second curtain sync fires it at the end. The difference, on a stationary subject in a dark room, is invisible. The difference, on a moving subject with any ambient light at a shutter speed slower than 1/60s, is the difference between a motion blur that trails behind the subject and one that leads in front of it. The first looks like the subject is moving backward.</description>
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    <item>
      <title>Working at Minimum Focus Distance: EF 100mm f/2.8L Macro IS</title>
      <link>https://pho.tography.org/working-at-minimum-focus-distance-ef-100mm-f/2.8l-macro-is/</link>
      <pubDate>Sun, 03 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://pho.tography.org/working-at-minimum-focus-distance-ef-100mm-f/2.8l-macro-is/</guid>
      <description>The EF 100mm f/2.8L Macro IS USM focuses to 1:1 — life size. At minimum focus distance, the working distance between the front element and the subject is approximately 14 centimeters. You are very close. The depth of field at 1:1 and f/2.8 is measured in millimeters. Almost nothing is in focus. This is not a problem to solve. It is the medium to work in.
Most photographers who own this lens use it between 1:4 and 1:2 — close enough to feel macro, far enough to maintain a usable depth of field.</description>
    </item>
    
    <item>
      <title>Zone Focusing the EF 40mm f/2.8 STM on a Modern Body</title>
      <link>https://pho.tography.org/zone-focusing-the-ef-40mm-f/2.8-stm-on-a-modern-body/</link>
      <pubDate>Sun, 03 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://pho.tography.org/zone-focusing-the-ef-40mm-f/2.8-stm-on-a-modern-body/</guid>
      <description>The EF 40mm f/2.8 STM is Canon&amp;rsquo;s pancake lens — 23mm long, 130 grams, and optically decent enough that photographers have been underestimating it for over a decade. On a mirrorless body via adapter, it pairs with something older than autofocus: zone focusing, the technique of pre-setting focus distance and shooting without confirming focus at all.
The method is simple. Set the lens to manual focus via the adapter&amp;rsquo;s control ring or the camera&amp;rsquo;s MF button.</description>
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