<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
  <channel>
    <title>ef 70-200mm on pho.tography.org</title>
    <link>https://pho.tography.org/tags/ef-70-200mm/</link>
    <description>Recent content in ef 70-200mm on pho.tography.org</description>
    <generator>Hugo -- gohugo.io</generator>
    <language>en-us</language>
    <lastBuildDate>Sun, 03 May 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://pho.tography.org/tags/ef-70-200mm/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Second Curtain Sync: EF 70-200mm f/2.8L IS III with Flash</title>
      <link>https://pho.tography.org/second-curtain-sync-ef-70-200mm-f/2.8l-is-iii-with-flash/</link>
      <pubDate>Sun, 03 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://pho.tography.org/second-curtain-sync-ef-70-200mm-f/2.8l-is-iii-with-flash/</guid>
      <description>First curtain sync fires the flash at the beginning of the exposure. Second curtain sync fires it at the end. The difference, on a stationary subject in a dark room, is invisible. The difference, on a moving subject with any ambient light at a shutter speed slower than 1/60s, is the difference between a motion blur that trails behind the subject and one that leads in front of it. The first looks like the subject is moving backward.</description>
    </item>
    
  </channel>
</rss>
