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    <title>motion blur on pho.tography.org</title>
    <link>https://pho.tography.org/tags/motion-blur/</link>
    <description>Recent content in motion blur on pho.tography.org</description>
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      <title>Panning at 1/60s: NIKKOR Z 400mm f/4.5 VR S</title>
      <link>https://pho.tography.org/panning-at-1/60s-nikkor-z-400mm-f/4.5-vr-s/</link>
      <pubDate>Sun, 03 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://pho.tography.org/panning-at-1/60s-nikkor-z-400mm-f/4.5-vr-s/</guid>
      <description>Panning is the technique of tracking a moving subject with a slow shutter speed so that the subject is relatively sharp while the background blurs into horizontal streaks. At 1/60s, a cyclist or vehicle moving across the frame renders with context — the motion of the world around the subject made visible — rather than as a freeze-frame extracted from its environment. The technique is old. What is new is doing it at 400mm.</description>
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    <item>
      <title>Second Curtain Sync: EF 70-200mm f/2.8L IS III with Flash</title>
      <link>https://pho.tography.org/second-curtain-sync-ef-70-200mm-f/2.8l-is-iii-with-flash/</link>
      <pubDate>Sun, 03 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://pho.tography.org/second-curtain-sync-ef-70-200mm-f/2.8l-is-iii-with-flash/</guid>
      <description>First curtain sync fires the flash at the beginning of the exposure. Second curtain sync fires it at the end. The difference, on a stationary subject in a dark room, is invisible. The difference, on a moving subject with any ambient light at a shutter speed slower than 1/60s, is the difference between a motion blur that trails behind the subject and one that leads in front of it. The first looks like the subject is moving backward.</description>
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