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    <title>rf 50mm on pho.tography.org</title>
    <link>https://pho.tography.org/tags/rf-50mm/</link>
    <description>Recent content in rf 50mm on pho.tography.org</description>
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    <item>
      <title>Contre-Jour with the RF 50mm f/1.2L</title>
      <link>https://pho.tography.org/contre-jour-with-the-rf-50mm-f/1.2l/</link>
      <pubDate>Sun, 03 May 2026 00:00:00 +0000</pubDate>
      
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      <description>Shooting directly into a light source is the fastest way to ruin a technically correct photograph and the slowest way to make a memorable one. The RF 50mm f/1.2L USM handles the contradiction better than it has any right to.
The technique is contre-jour — French for &amp;ldquo;against the day,&amp;rdquo; meaning your subject is between you and the primary light source. The light halos the subject, separates them from the background, and collapses foreground detail into silhouette or near-silhouette.</description>
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    <item>
      <title>Dual Pixel RAW Microadjustment: RF 50mm f/1.2L and the R5</title>
      <link>https://pho.tography.org/dual-pixel-raw-microadjustment-rf-50mm-f/1.2l-and-the-r5/</link>
      <pubDate>Sun, 03 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://pho.tography.org/dual-pixel-raw-microadjustment-rf-50mm-f/1.2l-and-the-r5/</guid>
      <description>Dual Pixel RAW is a Canon capture mode that records each pixel&amp;rsquo;s left and right photodiode data separately, storing approximately twice the file size of a standard RAW. The primary advertised use — bokeh shift, ghost reduction — is marginal in most practical situations. The genuinely useful application is microadjustment of the focus point in Canon&amp;rsquo;s Digital Photo Professional software after capture.
At f/1.2 on the RF 50mm, the depth of field is thin enough that a focus acquisition that lands two millimeters in front of the intended plane produces a noticeably soft result.</description>
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    <item>
      <title>Vignetting as Composition: RF 50mm f/1.2L Wide Open</title>
      <link>https://pho.tography.org/vignetting-as-composition-rf-50mm-f/1.2l-wide-open/</link>
      <pubDate>Sun, 03 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://pho.tography.org/vignetting-as-composition-rf-50mm-f/1.2l-wide-open/</guid>
      <description>The RF 50mm f/1.2L USM vignettes at f/1.2. This is not a defect to correct in post. Left uncorrected, it is a compositional tool that draws the eye toward the center of the frame and applies a graduated darkening to the corners. Canon&amp;rsquo;s in-camera lens correction and Lightroom&amp;rsquo;s lens profile will eliminate this automatically if you let them. You should consider not letting them.
Optical vignetting at the maximum aperture of a large-diameter lens is a physical consequence of the geometry: light arriving at the sensor from the edges at oblique angles is partially blocked by the lens barrel.</description>
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