The argument for medium format has always been tonal, not pixel-numeric. Photographers who have shot both full-frame and medium format systems at comparable resolutions consistently describe a difference in rendering — a three-dimensionality, a tonal gradation in transitions from light to shadow — that specification sheets struggle to quantify. The Fujifilm GFX 100S II paired with the GF 110mm f/2 is the most accessible entry point into that argument that currently exists.