Below you will find pages that utilize the taxonomy term “50mm”
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Leica M11 + Summilux 50mm f/1.4: The Argument
Every discussion of Leica eventually arrives at the question of whether the price is justified. The M11 body costs around $9,000. The current Summilux-M 50mm f/1.4 ASPH adds approximately $5,500. Thirteen thousand dollars for a rangefinder with no autofocus, no video, no continuous burst worthy of the name, and an optical viewfinder that requires the user to manually compensate for parallax error at close distances. The question is fair. The answer is complicated.
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OM System E-M10 IV + Olympus OM 50mm f/1.4: Full Circle
There is something pointed about mounting a 1970s Olympus OM-System 50mm f/1.4 lens onto an OM System digital body four decades after the original system was discontinued. The Olympus OM mount, discontinued in the 1980s when Olympus moved to autofocus, left behind a generation of lenses that are available cheaply on the secondary market and adapt to Micro Four Thirds via a $20 OM-to-MFT adapter without optical compromise. On the E-M10 IV, the company’s most accessible current body, the old glass completes a circle that the company’s rebranding as OM System seems designed to acknowledge.
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Sony A6400 + Minolta MD 50mm f/1.4: Flea Market Glass
The Minolta MD 50mm f/1.4 is a lens that predates autofocus entirely. It was manufactured through the 1970s and 1980s, attached originally to Minolta’s SLR bodies, and is now scattered across eBay listings and flea market tables in sufficient quantities that finding a clean copy for $30–$60 is not particularly difficult. Adapted to the Sony A6400 via a $20 MD-to-E mount adapter, it produces something that a significant community of photographers finds genuinely irreplaceable.
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Unlocking the Power of the 50mm Lens: A Guide to Versatile Photography
Jason Vong opens his video with an enthusiastic greeting to hybrid shooters, diving into a detailed guide on the versatile 50mm lens for photography. He specifies that this video primarily targets full-frame camera users, suggesting those with APS-C crop sensors opt for a 30mm or 35mm lens to achieve a similar field of view. Jason sets the stage in the vibrant Gamcheon Cultural Village of Busan, South Korea, showcasing the power of the 50mm lens even in wide landscape photography, a genre not typically associated with this focal length.