Vertical Shots in Wedding Photography: When Portrait Orientation Tells a Better Story
Why portrait orientation can capture the people, architecture and spontaneous energy of a wedding in one frame.
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Why portrait orientation can capture the people, architecture and spontaneous energy of a wedding in one frame.
A reflected city gives you two scenes to compose at once. A shop window can hold the pavement behind you and the interior beyond the glass; …
A photograph can fail at the job you took it to do and still contain the beginning of a strong poster. The portrait is too dark, a passing …
Your photo archive probably contains pictures that would work beautifully as posters, even if you have never thought of them as wall art. …
A telephoto street shot along a seafront promenade at golden hour. Compressed perspective, shallow depth of field. Five figures in the sharp …
Two runners, a dog on a leash, a row of bike hoops, a road full of headlights. Shot handheld from behind and slightly above, on a public …
An ultra-wide lens does not create clutter. It just refuses to leave any out. Point a 15mm at a busy exhibition aisle and you get the …
Two figures share a photograph and refuse to share anything else. He stands on the left in a black suit, glasses, mid-sentence, addressing …
Grey sky, mid-morning, mid-October. This is the light most people complain about and then shoot in anyway, because you don’t get to …
Most hero image slots on the web are landscape. Most people looking at them are holding a phone. That gap is the whole argument for shooting …