Canon U.S.A., Inc. is clearly in a mood to remind everyone that ultra-wide is not a niche, it’s a language, and this latest RF-mount announcement leans hard into that idea. Two very different lenses arrive together, but they feel deliberately paired: one embraces distortion and spectacle without apology, the other chases purity, speed, and control at the extreme wide end. Both extend Canon’s RF ecosystem in directions that feel very deliberate if you’ve been watching how hybrid shooters, VR creators, and astro photographers are actually working right now.

Choosing the right camera can be daunting, especially when comparing closely related models like the Canon R100, R50, and R10. Each model is designed to cater to different types of photographers and videographers, with unique strengths tailored to various priorities. Here’s a detailed breakdown to help you decide. The Canon R100 is equipped with an older 24.1-megapixel APS-C CMOS sensor and a DIGIC 8 image processor. While its image quality for still photography is solid, its processing capabilities lag behind newer models, limiting its performance in video recording and advanced features.

SIGMA Corporation of America, the U.S. subsidiary of the renowned Japanese lens manufacturer SIGMA Corporation, has made an exciting announcement for Canon EOS R system users. Starting in late 2024 and early 2025, four new prime lenses from the F1.4 DC DN | Contemporary series will join SIGMA’s growing lineup for the Canon RF mount. These lenses include the 16mm, 23mm, 30mm, and 56mm focal lengths, promising exceptional optical performance in a compact form factor tailored to the needs of APS-C mirrorless shooters.