Below you will find pages that utilize the taxonomy term “lenses”
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The Art of Reportage Photography: The Few Lenses That Actually Earn Their Place
A man in a red shirt throws both hands toward the lens, mouth open mid-sentence, eyes locked on the camera. Behind him a Breton flag snaps against a hot blue sky and a crowd thins out across a stone square. Nothing in the frame is arranged. The photographer was close enough to touch him, wide enough to keep the flag and the architecture in the story, and present at the half-second before the gesture collapsed.
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Chasing Separation: From a Simple Lens Question to a Shift in Perspective
A pretty straightforward gear question turned into something more layered than expected. The setup was already solid: a Canon EF 85mm f/1.8 USM paired with both the Canon EOS R100 and the Canon EOS R8. The idea was to push subject separation further—get that stronger background blur, that cleaner isolation—by adding a 7Artisans 75mm f/1.4 Lens (Canon RF).
On paper, it made sense. Faster aperture, slightly different focal length, native RF mount.
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Should You Buy the 7Artisans 75mm f/1.4 If You Already Own the Canon EF 85mm f/1.8 USM?
Honestly, the case for buying it is weak — here’s the breakdown.
Where the 7Artisans Has an Edge The lens does bring some genuine advantages. It’s a native RF mount, which means no adapter and a cleaner setup on any RF body. At f/1.4 versus f/1.8, you’re picking up about ⅔ of a stop — which does matter for low-light work and adds a marginally different character to the bokeh. And the price is a fraction of Canon’s own glass.