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There is a small flying camera in the wedding photograph, and that is precisely what makes it interesting. We usually see the finished aerial image: the couple standing in a garden, the venue arranged beneath them, a winding driveway leading towards the …
Three people on a terrace above a working harbour, and none of them is looking at any of the others. A friend in black reaches over to fix …
An ultra-wide lens does not create clutter. It just refuses to leave any out. Point a 15mm at a busy exhibition aisle and you get the …
Four dancers in saturated blue and red robes on a lit wooden stage, with everything below the stage edge falling away into an almost black …
A white service robot in a moulded gown stands on a red carpet at a hilltop terrace, holding a lit screen out at chest height. A ring light …
A ring light is the only modifier that puts the light source exactly where your lens is. Everything else about it follows from that one …
Golden hour advice assumes you control the clock. Event photography doesn’t work that way. A race start goes off at noon because the …
Some of the strongest portraits at a trade show or conference are never posed. They happen in the half-second when someone glances toward …
The 135mm f/2 has near-mythical status among event and reportage shooters: it compresses backgrounds, isolates a subject from a crowded …
Concert photography operates under specific constraints: low and rapidly changing light, a no-flash policy in most professional venues, a …
